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Karl Briullov
The Last Day of Pompeii
mk149
1830-33
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Karl Briullov
Self-Portrait
mk149
1848
Oil on cardboard
64.1x54cm
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Karl Briullov
Narcissus
mk149
1819
Oil on canvas
162x209.5cm
Russian Museum
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Karl Briullov
The Genius of Art
mk149
1817-20
Black and white chalks,charcoal and pastel on paper
65.2x62.2cm
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Karl Briullov
The Last Day of Pompeii
mk149
1830-33
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Karl Briullov
The Last Day of Pompeii
mk149
1830-33
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Karl Briullov
The Death of Ines de Castro
mk149
Oil on canvas
213x290.5cm
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Karl Briullov
Rider
mk149
Double portrait of Giovanina and Amazilia Pacini
1832
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Karl Briullov
The Temple of Apollo Epkourios at Phigalia
mk149
1835
Watercolour on paper
23x29cm
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Karl Briullov
Portrait of Vladimir Kornilov on Board The Brig Themistocles
mk149
1835
Watercolour and lead pencil on paper
heightened with lacquer
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Karl Briullov
The Siege of Pskov by the troops of stephen batory,King of Poland
mk149
1839-43
Oil on canvas
482x675cm
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Karl Briullov
Portrait of Countess yula Samoilova with her adopted daughter amicilia pacini
mk149
Not later than 1842
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Karl Briullov
Portrait of the Shishmariov Sisters
mk149
1839
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Karl Briullov
Portrait of Michelangelo Lanci
mk149
1851
Oil on canvas
61.8x49.5cm
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Karl Briullov
Christ in Majesty
mk149
1843-47
Oil on canvas
Tondo,Diameter 65cm
Russian Museum
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Karl Briullov
Pilgrims in the Roorway of The Lateran Basilica
mk149
1825
Oil on canvas
62.7x53.6cm
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Karl Briullov
Pilgrims in the Doorway of a Church
mk149
1825
Oil on paper
20.4x16.2cm
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Karl Briullov
Numa Pompilius and the nymph egera
mk149
1834
Oil on paper
28.5x36cm
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Karl Briullov
Erminla with the Shepherds
mk149
1824
Oil on canvas
98.2x137.3cm
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Karl Briullov
Hylas and Nymphs
mk149
Oil on canvas
22.4x27.5cm
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| Karl Briullov
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Russian Neoclassical/Romantic Painter, 1799-1852,was an internationally renowned Russian painter. He is regarded as a key figure in transition from the Russian neoclassicism to romanticism. Born of French parents in Saint Petersburg, Carlo Brulleau (as his name was spelled until 1822) felt drawn to Italy from his early years. Despite his education at the Imperial Academy of Arts (1809?C1821), Briullov never fully embraced the classical style taught by his mentors and promoted by his brother, Alexander Briullov. After distinguishing himself as a promising and imaginative student and finishing his education, he left Russia for Rome where he worked until 1835 as a portraitist and genre painter, though his fame as an artist came when he began doing historical painting. His best-known work, The Last Day of Pompeii (1830?C1833), is a vast composition compared by Pushkin and Gogol to the best works of Rubens and Van Dyck. It created a sensation in Italy and established Briullov as one of the finest European painters of his day. After completing this work, he triumphantly returned to the Russian capital, where he made many friends among the aristocracy and intellectual elite and obtained a high post in the Imperial Academy of Arts.
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